






The Schubert Club Band
Shell
Raspberry Island, St. Paul, Minnesota
Engineers: Skidmore, Owings & Merrill, Chicago
Consulting engineers: Schlaich, Bergermann & Partners
2000-2002
The Schubert Club Band
Shell is a delicate anticlastic shell system designed as a visual landmark
for the city of St. Paul. Sited on Raspberry Island, the work’s foundation
is embedded in the island’s landscape and supports the translucent glass arch
as it rises out of the ground.
This delicate roof
structure is a double-curvature geometric form composed of glass and stainless
steel that spans the wooden stage area and acts as a visual and acoustic framing
device for performances.
During the day the
Band Shell offers a faceted display of reflected and diffused sunlight while
at night recessed lighting creates a glowing lantern effect in the midst of
the Mississippi River.
Whether viewed by
day or night the Schubert Club Band Shell captures the moment’s light for
both spectator and performer and transforms this visually prominent site into
a luminous landmark for the city of St. Paul.


The geometry of the grid
shell is a torus which produces a lot of repetition in the structural elements
and connection details since all of the pipes are segments of a circle, and
the pipes spanning between the edge beams even have the same radius.
The roof structure
consists of two layers of stainless steel pipes and diagonal stainless steel
tension rods in between the pipes. The
roof is stabilized by double curvature in the transverse direction, and by
two stainless steel edge beams on either side in the longitudinal direction.
The structural elements
are dimensioned in regard to the extremely high snow loads occurring in the
North of the United States.
Based on the geometry
of the grid shell, all of the glass panels are planar since all four corners
are in one plane. They are fixed at their four corners by clamping plates
standing off the longitudinal pipes. The
glass panels do not transfer structural loads.
The inauguration of the
Band Shell took place in September 2002.
James Carpenter, Richard Kress and Valerie Spalding (now of Carpenter/Lowings Architecture & Design) worked on this project as designers for JCDA.

